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| The
Vital Statistics |
| Studio |
Various
spaces
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| Control
Room |
15'
X14' |
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| Recording
Equipment: |
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| Pro
Toos
6 |
(32-tracks,
16-24 bit, 44.1 / 48 khz) |
| Reason |
midi
sequencing / soft synth modeling software with recycle. |
| Final
Cut Pro HD 4 |
video
editing software |
| Finale
2000 |
Music
notation software |
| DVD
Pro |
DVD
Authoring software |
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| Macintosh
G4 |
(Dual
1.4Ghz G4 - 1.5G ram - 330 Gig storage on machine and 2nd
server. Three 17" Monitors. DVD-R/CDR-24X write. CPU
is not in the control room)
Laser
Printer
Gigabit
internal network.
High
Speed internet access - DSL
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| Software
Plugins: |
Waves
Gold Bundle
Massey
Bomb
Factory
Amplitube
D-Racks
Antares Autotune 3
Digidesign
F/X bundle |
| Mixdown
Recorders |
Scully
280B
1/4"
1/2-track analog - 30 ips w/Dolby SR noise reduction
Tascam
DA-30
(with
ProDigital modifiied preamps and A/D D/A converters)
and
of course, direct to disk and CD-R |
| A/D
and D/D conversion |
Apogee,
Digidesign and PreSonus |
| Mic
Pre's |
Langavin,
Manley, Ampex, Altec, NeoTek,Pre Sonus DigiMax, some custom
things I've knocked together that sound quite cool, etc... |
| Microphones |
Various
mics available. I have many condensor, dynamic and ribbon mics.
(Neumann, AKG, Audio Technica, Shure, E/V, Sennheiser, Beyerdynamic,
etc... ) |
| Monitors |
Event
20/20 bas - self powered - biamped. |
| Headphones |
AKG
K240S, Sony MDR-7506,MDR-7504,MDR-7502,MDRV-700, Audio Technica
ATH-40fs, Sennheiser MD 280-pro. Fostex 5-channel headphone
amp.
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| Other
Outboard Gear |
Manley
Tube DI
various
passive DI's
Custom
built passive Summing Mix buss |
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| Studio
Gear: |
1952
Sears Silvertone Twin 50 w/Greenback Celestions
Marshall
2 X 12" cabinet.
Line
6 POD II
Leslie
110 (modified to accept any guitar amp output)
Hammond
CV organ with reverb
Martin-Sigma
DR-18 Rosewood Acoustic
Fender
P-Bass (1972)
Slingerland
5 Piece kit.
Slingerland
Snare Drum (1942)
Various
instruments and percussion
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| Rates: |
call
for rates
Hourly
$50/hour
email:ericmedley@ericmedley.com
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| Partial
Client List: |
Soul
Support, The Millions, Blue Moon Ghetto, Matt Banta, Mercy Rule,
Bungalow Trailer Park, Lullaby For The Working Class, Killdozer,
Fly Daddy Records, Saddle Creek Records, ismist Recordings, EMI
Records, Bar None Records, Swanson Russell and Assoc. Bailey Laurmann,
Rainbow Video, Editech - Omaha, the list goes on...
Eric
has produced over 250 projects for music clients over the past 15
years. His credits list is long and expansive. Projects range from
full-fledged records to audio for video/film and mastering. Here's
what people are saying...
Mike
Mogis - Saddle Creek Records / Lullaby For The Working Class - Bright
Eyes - Presto Recording.
"Michael
Mogis, of the current Lincoln alternative rock recording hot spot
Presto Studios, said that he based some of what he does in his studio
on what Medley did for him when he was first recording with his
band Lullaby for the Working Class. "He's always been really good
at working with the band to understand where the artist or band
is coming from and how to get that on tape," Mogis said. "
Daily Nebraskan April 11, 2001.
Jon
Taylor - Guitarist - Mercy Rule
"Jon
Taylor from Mercy Rule said his interest in the music as well as
his willingness to work with bands in order to make a better recording
was one of the reasons that so many bands came to him in the past.
"Eric helped us with one of our first albums, and we ended up getting
a record contract with a fairly big label," Taylor said. "He was
the guy that put up and just
let us go with our music." Omaha World Herald - Sept. 2001
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